1. Pre-production Consulting
Brainstorming with the production team and DOP before the first take, providing creative inspiration for props, staging, and physical movements designed to dynamically exploit the full 3D sound space of ATMOS.
2. Dialogue / ADR Editing
Cleaning production tracks through spectral restoration and precisely cueing and blending replacement lines (ADR) to ensure phase-coherent, seamless transitions between takes.
3. Sound Design
Building custom effects layers using synthesis and original field recordings tailored specifically to scale inside a multi-channel spatial layout.
4. Foley
Recording custom-performed prop movements and tactile textures in-studio to give the on-screen interactions realistic physical weight and presence.
5. Music Supervision & Editing
Digging through music libraries to curate and select the exact right tracks for the image, then editing and conforming those selections to lock into the rhythm of the picture cut.
6. M&E (International Versions)
Reconstructing a complete, dialogue-free master that isolates and preserves all backgrounds, Foley, and music for international dubbing and delivery.
7. Re-recording Mixing
Blending and balancing all stems to ensure a highly coherent mix that translates flawlessly across all playback systems and listening environments, from standard stereo up to ATMOS.
Policjantki i Policjanci
Handling the audio post-production for one of the most-watched docudramas in Poland, we focused on delivering high-impact soundscapes that match the intense pace of police interventions. With over 1,000 episodes produced to date, our workflow ensures crystal-clear dialogue and immersive atmospherics for a truly nationwide audience.
Policjantki i Policjanci
Handling the audio post-production for one of the most-watched docudramas in Poland, we focused on delivering high-impact soundscapes that match the intense pace of police interventions. With over 1,000 episodes produced to date, our workflow ensures crystal-clear dialogue and immersive atmospherics for a truly nationwide audience.
Policjantki i Policjanci
We managed the full audio post-production pipeline for the series, widely recognized as a major prime-time series for TV4, one of Poland’s major national broadcasters. Our focus remained on maintaining a streamlined, high‑efficiency workflow to support the continuous demands of the production, ensuring strict technical compliance, precise dialogue leveling, and environmental balancing under rigid broadcast deadlines.
Lombard. Życie pod zastaw
We executed the complete audio post-production workflow for this high‑profile, multi‑award‑winning flagship series for TV Puls. Managing a massive episodic run required engineering a highly robust pipeline capable of handling dense delivery schedules while maintaining uncompromising clarity in dialogue editing, forensic noise reduction, and final broadcast loudness compliance.
Policjantki i Policjanci
Handling the audio post-production for one of the most-watched docudramas in Poland, we focused on delivering high-impact soundscapes that match the intense pace of police interventions. With over 1,000 episodes produced to date, our workflow ensures crystal-clear dialogue and immersive atmospherics for a truly nationwide audience.
Kurierzy
We oversaw the full audio post-production and final mixing for this dynamic spin-off series airing on TV Puls. Leveraging an optimized, agile mixing environment, our workflow was structured to maintain strict narrative pacing, seamless environmental balancing, and absolute sonic consistency throughout its multi-season broadcast run.
Reporterzy. Z życia wzięte
We provided comprehensive sound post-production for the initial run of this TV Puls daily series. The project focused on establishing a clean, reliable, and standardized sonic framework from the ground up, ensuring rapid operational turnarounds and consistent audio quality across the debut seasons for the network's daytime programming.
Kurierzy
We oversaw the full audio post-production and final mixing for this dynamic spin-off series airing on TV Puls. Leveraging an optimized, agile mixing environment, our workflow was structured to maintain strict narrative pacing, seamless environmental balancing, and absolute sonic consistency throughout its multi-season broadcast run.
Policjantki i Policjanci
Handling the audio post-production for one of the most-watched docudramas in Poland, we focused on delivering high-impact soundscapes that match the intense pace of police interventions. With over 1,000 episodes produced to date, our workflow ensures crystal-clear dialogue and immersive atmospherics for a truly nationwide audience.
Policjantki i Policjanci
We managed the full audio post-production pipeline for the series, widely recognized as a major prime-time series for TV4, one of Poland’s major national broadcasters. Our focus remained on maintaining a streamlined, high‑efficiency workflow to support the continuous demands of the production, ensuring strict technical compliance, precise dialogue leveling, and environmental balancing under rigid broadcast deadlines.
Policjantki i Policjanci
We managed the full audio post-production pipeline for the series, widely recognized as a major prime-time series for TV4, one of Poland’s major national broadcasters. Our focus remained on maintaining a streamlined, high‑efficiency workflow to support the continuous demands of the production, ensuring strict technical compliance, precise dialogue leveling, and environmental balancing under rigid broadcast deadlines.
Lombard. Życie pod zastaw
We executed the complete audio post-production workflow for this high‑profile, multi‑award‑winning flagship series for TV Puls. Managing a massive episodic run required engineering a highly robust pipeline capable of handling dense delivery schedules while maintaining uncompromising clarity in dialogue editing, forensic noise reduction, and final broadcast loudness compliance.
Reporterzy. Z życia wzięte
We provided comprehensive sound post-production for the initial run of this TV Puls daily series. The project focused on establishing a clean, reliable, and standardized sonic framework from the ground up, ensuring rapid operational turnarounds and consistent audio quality across the debut seasons for the network's daytime programming.
SZEPTY LASU
Handling the audio post-production for one of the most-watched docudramas in Poland, we focused on delivering high-impact soundscapes that match the intense pace of police interventions. With over 1,000 episodes produced to date, our workflow ensures crystal-clear dialogue and immersive atmospherics for a truly nationwide audience.